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An Eleventh Century Manual of Arabo-Byzantine Astronomy (Corpus Des Astronomes Byzantins, No 3) J C Gieben? Alexander Jones? JCGieben? AlexanderJones? ユーズドブック(洋書)-Science? Substores-UnknownASINs-55? Subjects-Science-General Subjects-Science-Astronomy-Astronomy? Beitrage Zur Wirtschaftsinformatik (Objektorientierte Entwicklung Betrieblicher Informationssyteme, Bd, 14) Springer-Verlag? D. Schreiber? Springer-Verlag? D.Schreiber? Substores-UnknownASINs-49? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Science-General Toxins and Targets Effects of Natural and Synthetic Poisons on Living Cells and Fragile Ecosystems Harwood Academic Pub? Dianne Watters? Martin Lavin? David Maguire? John Pearn? HarwoodAcademicPub? DianneWatters? MartinLavin? DavidMaguire? JohnPearn? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? Subjects-Engineering-Civil-Environmental-General Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-Pharmacology-Toxicology? 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Toeplitz Operators and Index Theory in Several Complex Variables (Operator Theory Advances and Applications) Birkhauser? Harald Upmeier? Birkhauser? HaraldUpmeier? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-Topology? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Geometry&Topology? After Whitehead Rescher On Process Metaphysics Ontos Verlag? Michel Weber? OntosVerlag? MichelWeber? Subjects-Nonfiction-Philosophy-Metaphysics? Subjects-Nonfiction-Philosophy-Criticism? 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Subjects-Science-BiologicalSciences-Bioinformatics? Erich Nelson's Book of the Genus Orchis Intercept Ltd? Erich Nelson? InterceptLtd? ErichNelson? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-53? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Outdoors&Nature-Flora-Flowers? Subjects-Professional&Technical-Medical-BasicSciences-Biology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? Subjects-Science-General Subjects-Science-Nature&Ecology-Plants-Flowers? Subjects-Science-BiologicalSciences-Botany-General? Subjects-Science-BiologicalSciences-Biology-General? Tunnelling Switzerland Routledge? K. Kovari? F. Descoeudres? Routledge? K.Kovari? F.Descoeudres? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-General? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? 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Subjects-Science-Physics-General? The Hereditary Basis of Rheumatic Diseases (Progress in Inflammation Research) Birkhauser? Rikard Holmdahl? Birkhauser? RikardHolmdahl? ユーズドブック(洋書)-Medicine? Subjects-Medicine-BasicScience-Immunology? Subjects-Medicine-InternalMedicine-Rheumatology? Subjects-Professional&Technical-Medical-BasicSciences-Immunology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Rheumatology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Genetics? Subjects-Science-Evolution-Genetics? Subjects-Science-General Subjects-Science-Medicine-BasicScience-Immunology? Subjects-Science-Medicine-InternalMedicine-Rheumatology? Multiscale Modeling In Epitaxial Growth (International Series of Numerical Mathematics) Birkhauser (Architectural)? Axel Voigt? Birkhauser(Architectural)? AxelVoigt? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-DifferentialEquations? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-NumberSystems? Subjects-Science-Chemistry-Crystallography? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-NumberSystems? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-DifferentialEquations? Kernal Interface (Ctron Specification Series) Ios Pr Inc? TRON Association? Ken Sakamura? IosPrInc? TRONAssociation? KenSakamura? ユーズドブック(洋書)-Computers&Internet? Substores-UnknownASINs-53? Subjects-Computers&Internet-Networking? Subjects-Computers&Internet-OperatingSystems-General? Subjects-Science-General Schur Parameters, Factorization And Dilation Problems (Operator Theory Advances and Applications) Springer-Verlag? Tiberiu Constantinescu? Springer-Verlag? TiberiuConstantinescu? ユーズドブック(洋書)-Science? Substores-UnknownASINs-48? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Transformations? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-Transformations? Subjects-Science-Mathematics-PureMathematics-Algebra-Linear? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-Applied-General? Operator Theory, Systems Theory And Scattering Theory Multidimensional Generalizations (Operator Theory Advances and Applications) Birkhauser (Architectural)? Daniel Abay? Victor Vinnikov? Daniel Alpay? Birkhauser(Architectural)? DanielAbay? VictorVinnikov? DanielAlpay? ユーズドブック(洋書)-Medicine? Subjects-Medicine-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? 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Bioenergetics (Bioelectrochemistry Series) Birkhauser? Peter Graber? Giulio Milazzo? Birkhauser? PeterGraber? GiulioMilazzo? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Substores-UnknownASINs-48? Subjects-Medicine-BasicScience-Physiology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biophysics? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Subjects-Science-Physics-Biophysics? Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-Medicine-BasicScience-Physiology? I/O Control Interface (Ctron Specification Series) Ios Pr Inc? TRON Association? Ken Sakamura? IosPrInc? TRONAssociation? KenSakamura? ユーズドブック(洋書)-Computers&Internet? Substores-UnknownASINs-53? Subjects-Computers&Internet-Networking? Subjects-Computers&Internet-OperatingSystems-General? Subjects-Science-General Infinite Dimensional Algebras And Quantum Integrable Systems (Progress in Mathematics (Birkhauser Boston)) Birkhauser (Architectural)? P. P. Kulish? Birkhauser(Architectural)? P.P.Kulish? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Algebra-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Algebra-Linear? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-GroupTheory? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-Algebra-General? Subjects-Science-Mathematics-PureMathematics-Algebra-Linear? Subjects-Science-Mathematics-PureMathematics-GroupTheory? Subjects-Science-Mathematics-Applied-General? Spectral and Scattering Theory and Applications (Advanced Studies in Pure Mathematics) Amer Mathematical Society? K. Yajima? AmerMathematicalSociety? K.Yajima? Substores-UnknownASINs-53? Subjects-Science-General Subjects-Science-Mathematics-Applied? Subjects-Science-Physics-NuclearPhysics-Atomic&NuclearPhysics? Kolmogorov Equations For Stochastic Pdes (Advanced Courses in Mathematics CRM Barcelona) Birkhauser (Architectural)? Giuseppe Da Prato? Birkhauser(Architectural)? GiuseppeDaPrato? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Networking-DataintheEnterprise-StatisticalComputing? Subjects-Computers&Internet-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-DifferentialEquations? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-DifferentialEquations? Subjects-Science-Mathematics-Applied-Probability&Statistics? Bioelectrochemistry of Biomacromolecules (Bioelectrochemistry Principles and Practice, 5) Birkhauser? G. Lenaz? G. Milazzo? Birkhauser? G.Lenaz? G.Milazzo? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Substores-UnknownASINs-48? Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Medical-BasicSciences-Physiology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Physical&Theoretical-Electrochemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Progress in Algebraic Combinatorial (Advanced Studies in Pure Mathematics) Amer Mathematical Society? E. Bannai? AmerMathematicalSociety? E.Bannai? Substores-UnknownASINs-53? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-Algebra? Subjects-Science-Mathematics-PureMathematics-Combinatorics? Cr-Geometry and over Determined Systems (Advanced Studies in Pure Mathematics) Amer Mathematical Society? Takao Akahori? AmerMathematicalSociety? TakaoAkahori? Substores-UnknownASINs-53? Subjects-Science-General Subjects-Science-Mathematics-Applied-DifferentialEquations? Subjects-Science-Mathematics-Geometry&Topology-GeneralGeometry? Subjects-Science-Mathematics-Geometry&Topology-AlgebraicGeometry? Subjects-Science-Mathematics-Geometry&Topology-DifferentialGeometry? Carotenoids, Volume 2 Synthesis (Carotenoids, 2) Birkhauser? G. Britton? S. Liaaen-Jensen? H. Pfander? Birkhauser? G.Britton? S.Liaaen-Jensen? H.Pfander? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Substores-UnknownASINs-48? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Organic-General? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Analysis on Homogenous Spaces and Representation Theory of Lie Groups, Okayama-Kyoto (Advanced Studies in Pure Mathematics) Amer Mathematical Society? Kyoto Daigaku Suri Kaiseki Kenkyujo? Toshiyuki Kobayashi? Masaki Kashiwara? Toshihiko Matsuki? Kyo Nishiyama? Toshio Oshima? AmerMathematicalSociety? KyotoDaigakuSuriKaisekiKenkyujo? ToshiyukiKobayashi? MasakiKashiwara? ToshihikoMatsuki? 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Elliptic And Parabolic Problems A Special Tribute to the Work of Haim Brezis (Progress in Nonlinear Differential Equations and Their Applications) Birkhauser (Architectural)? Michel Chipot? Jean-Michel Coron? Carlo Sbordone? Giorgio Vergara (DRT) Caffarelli? Catherine Bandle? Henri Berestycki? Bernhard Brighi? Alain Brillard? Itai Shafrir? Vanda Valente? Birkhauser(Architectural)? MichelChipot? Jean-MichelCoron? CarloSbordone? GiorgioVergara(DRT)Caffarelli? CatherineBandle? HenriBerestycki? BernhardBrighi? AlainBrillard? ItaiShafrir? VandaValente? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-DifferentialEquations? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Algebra-General? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-Algebra-General? Subjects-Science-Mathematics-Applied-General? 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CHAPTER XVIII UP CHAPTER XX CHAPTER XIX A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don t see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don t think you re very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I ll warrant you it was," said Marilla emphatically. "And the next thing you ll be setting fire to the curtains with your signaling nonsense." "Oh, we re very careful, Marilla. And it s so interesting. Two flashes mean, `Are you there? Three mean `yes and four `no. Five mean, `Come over as soon as possible, because I have something important to reveal. Diana has just signaled five flashes, and I m really suffering to know what it is." "Well, you needn t suffer any longer," said Marilla sarcastically. "You can go, but you re to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana s important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana s birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you ll let me go, that is. You will, won t you, Marilla? Oh, I feel so excited." "You can calm down then, because you re not going. You re better at home in your own bed, and as for that club concert, it s all nonsense, and little girls should not be allowed to go out to such places at all." "I m sure the Debating Club is a most respectable affair," pleaded Anne. "I m not saying it isn t. But you re not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I m surprised at Mrs. Barry s letting Diana go." "But it s such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn t as if birthdays were common things, Marilla. Prissy Andrews is going to recite `Curfew Must Not Ring Tonight. That is such a good moral piece, Marilla, I m sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he s going to give an address. That will be just about the same thing as a sermon. Please, mayn t I go, Marilla?" "You heard what I said, Anne, didn t you? Take off your boots now and go to bed. It s past eight." "There s just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It s an honor you ll have to get along without. Go to bed, Anne, and don t let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly "Well now, Marilla, I think you ought to let Anne go." "I don t then," retorted Marilla. "Who s bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don t interfere then." "Well now, I ain t interfering. It ain t interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You d think I ought to let Anne go to the moon if she took the notion, I ve no doubt" was Marilla s amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don t approve of this concert plan. She d go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child s disposition and what s good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly "Very well, she can go, since nothing else ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew s doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don t blame me, blame Matthew. Anne Shirley, you re dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I m a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don t make, although I might. I ll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn t know just how I felt about it, but you see Matthew did. Matthew understands me, and it s so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne s consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could not have borne it if she had not been going to the concert, for nothing else was discussed that day in school. The Avonlea Debating Club, which met fortnightly all winter, had had several smaller free entertainments; but this was to be a big affair, admission ten cents, in aid of the library. The Avonlea young people had been practicing for weeks, and all the scholars were especially interested in it by reason of older brothers and sisters who were going to take part. Everybody in school over nine years of age expected to go, except Carrie Sloane, whose father shared Marilla s opinions about small girls going out to night concerts. Carrie Sloane cried into her grammar all the afternoon and felt that life was not worth living. For Anne the real excitement began with the dismissal of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a "perfectly elegant tea;" and then came the delicious occupation of dressing in Diana s little room upstairs. Diana did Anne s front hair in the new pompadour style and Anne tied Diana s bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana s jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana s cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl and sapphire brimmed with wine and fire. Tinkles of sleigh bells and distant laughter, that seemed like the mirth of wood elves, came from every quarter. "Oh, Diana," breathed Anne, squeezing Diana s mittened hand under the fur robe, "isn t it all like a beautiful dream? Do I really look the same as usual? I feel so different that it seems to me it must show in my looks." "You look awfully nice," said Diana, who having just received a compliment from one of her cousins, felt that she ought to pass it on. "You ve got the loveliest color." The program that night was a series of "thrills" for at least one listener in the audience, and, as Anne assured Diana, every succeeding thrill was thrillier than the last. When Prissy Andrews, attired in a new pink-silk waist with a string of pearls about her smooth white throat and real carnations in her hair--rumor whispered that the master had sent all the way to town for them for her--"climbed the slimy ladder, dark without one ray of light," Anne shivered in luxurious sympathy; when the choir sang "Far Above the Gentle Daisies" Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate "How Sockery Set a Hen" Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony s oration over the dead body of Caesar in the most heartstirring tones--looking at Prissy Andrews at the end of every sentence--Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way. Only one number on the program failed to interest her. When Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda Murray s library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled. It was eleven when they got home, sated with dissipation, but with the exceeding sweet pleasure of talking it all over still to come. Everybody seemed asleep and the house was dark and silent. Anne and Diana tiptoed into the parlor, a long narrow room out of which the spare room opened. It was pleasantly warm and dimly lighted by the embers of a fire in the grate. "Let s undress here," said Diana. "It s so nice and warm." "Hasn t it been a delightful time?" sighed Anne rapturously. "It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?" "Yes, of course, someday. They re always wanting the big scholars to recite. Gilbert Blythe does often and he s only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line, "THERE S ANOTHER, not A SISTER, he looked right down at you." "Diana," said Anne with dignity, "you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let s run a race and see who ll get to the bed first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--WHAT was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine," said Diana, gasping with laughter. "Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It s dreadful--it s really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She s father s aunt and she lives in Charlottetown. She s awfully old--seventy anyhow--and I don t believe she was EVER a little girl. We were expecting her out for a visit, but not so soon. She s awfully prim and proper and she ll scold dreadfully about this, I know. Well, we ll have to sleep with Minnie May--and you can t think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn t disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde s on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She s feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry s temper is no joke, I can tell you that. She wouldn t speak to Diana at all." "It wasn t Diana s fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it s made a nice lot of trouble, that s what. Old Miss Barry came out to stay for a month, but she declares she won t stay another day and is going right back to town tomorrow, Sunday and all as it is. She d have gone today if they could have taken her. She had promised to pay for a quarter s music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they d like to keep on the good side of her. Of course, Mrs. Barry didn t say just that to me, but I m a pretty good judge of human nature, that s what." "I m such an unlucky girl," mourned Anne. "I m always getting into scrapes myself and getting my best friends--people I d shed my heart s blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It s because you re too heedless and impulsive, child, that s what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment s reflection." "Oh, but that s the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven t you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that s what. The proverb you need to go by is `Look before you leap --especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde s she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn t she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won t stay and I m sure I don t care. But Father and Mother do." "Why didn t you tell them it was my fault?" demanded Anne. "It s likely I d do such a thing, isn t it?" said Diana with just scorn. "I m no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I m going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you d never! why--she ll eat you alive!" "Don t frighten me any more than I am frightened," implored Anne. "I d rather walk up to a cannon s mouth. But I ve got to do it, Diana. It was my fault and I ve got to confess. I ve had practice in confessing, fortunately." "Well, she s in the room," said Diana. "You can go in if you want to. I wouldn t dare. And I don t believe you ll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I m Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I ve come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we ve apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana s heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I ve been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady s eyes by this time and was replaced by a twinkle of amused interest. But she still said severely "I don t think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don t know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don t KNOW, but I can IMAGINE," said Anne eagerly. "I m sure it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn t know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then we couldn t sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor." All the snap had gone by this time. Miss Barry actually laughed--a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief. "I m afraid my imagination is a little rusty--it s so long since I used it," she said. "I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself." "I am very sorry I can t," said Anne firmly. "I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don t look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work. You must not blame her because I jumped on the bed. But before I go I do wish you would tell me if you will forgive Diana and stay just as long as you meant to in Avonlea." "I think perhaps I will if you will come over and talk to me occasionally," said Miss Barry. That evening Miss Barry gave Diana a silver bangle bracelet and told the senior members of the household that she had unpacked her valise. "I ve made up my mind to stay simply for the sake of getting better acquainted with that Anne-girl," she said frankly. "She amuses me, and at my time of life an amusing person is a rarity." Marilla s only comment when she heard the story was, "I told you so." This was for Matthew s benefit. Miss Barry stayed her month out and over. She was a more agreeable guest than usual, for Anne kept her in good humor. They became firm friends. When Miss Barry went away she said "Remember, you Anne-girl, when you come to town you re to visit me and I ll put you in my very sparest spare-room bed to sleep." "Miss Barry was a kindred spirit, after all," Anne confided to Marilla. "You wouldn t think so to look at her, but she is. You don t find it right out at first, as in Matthew s case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It s splendid to find out there are so many of them in the world." 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PROLOGO - Il prigioniero SCENA I Vasta pianura, irrigata dal Rima l oriente è ingombro di maestose nubi, imporporate dai raggi del sole nascente. Otumbo, a capo d una tribù di americani, trascinando Alvaro fra catene. OTUMBO E CORO mentre alcuni annodano Alvaro ad un tronco Muoja, muoja coverto d insulti, I martiri sien crudi, ma lenti, Con accento ferocissimo Strappi ad esso codardi singulti Il tormento di mille tormenti. - O fratelli, caduti pugnando, Dalle tombe sorgete ululando... L inno insieme del trionfo s intuoni, Mentr ei sparge l estremo respir. ALVARO (A costoro quel nume perdoni Cui mi volgo, già presso a morir) GLI AMERICANI alzando urli di frenetica gioia, si avventano sul prigioniero, alcuni con dardi altri con picche e tizzi ardenti, e concitandosi l un l altro con le parole muoja, muoja, quando apparisce sul fiume una canòa OTUMBO Chi giunge?... Un americano discende dalla canòa. SCENA II Zamoro, e detti. CORO Ah! Riconoscendolo, e con grido di gioja e maraviglia OTUMBO Tu! CORO Fia vero!... Gettandosi, con Otumbo, a piè di lui ZAMORO Sorgete. Inoltrandosi Un prigioniero! Figge lo sguardo in Alvaro, e sembra commosso dalla sua veneranda canizie Del primo rieder mio non vo la gioia Mista col sangue a me costui donate. OTUMBO E CORO Abbilo. ZAMORO sciogliendo i legami di Alvaro Vivi. ALVARO Giusto ciel!... Come trasognato ZAMORO Frà tuoi Ritorna, o vecchio, ed a color, che noi Chiaman selvaggi, narra Che ti donò la vita Un selvaggio. ALVARO abbracciando Zamoro con tutta l effusione di un anima riconoscente Ti dica il pianto mio Quel che non può l accento. Ad un cenno di Zamoro, Alvaro parte, scortato da alcuno della tribù OTUMBO Ah! quale iddio Serbò Zamoro, i giorni tuoi? Qui spento Ognun ti pianse! ZAMORO Ed a nemici ancora Tal sembrai, ne tormenti Che apprestar mi facea l empio Gusmano... Ahi! sento a questo nome Ribollirmi le vene, alzar le chiome! Un Inca... eccesso orribile! Fu dato a cenni suoi In man di rei carnefici! E i barbari siam noi! - Parve in quel fero strazio La luce a me rapita, Ma un soffio in petto, un alito Mi rimanea di vita... Sì, vivo ancora, o perfido; Paventa il mio furor!... Le braccia tue riaprimi, Alzira, io vivo ancor. OTUMBO Col genitor la misera In Lima è prigioniera. ZAMORO Che intesi, oh ciel!... Ma toglierti Alla possanza ibera, Sposa, io m affido. OTUMBO E CORO Ah! svelane... Onde la speme? Udite. ZAMORO Risorto fra le tenebre, Per lunghe vie romite, Là trassi, ove men fervidi Piovon del sole i raggi Narrar m udian que popoli Tutti gli ostili oltraggi. OTUMBO E CORO E quindi? ZAMORO All armi sursero Mille tribù guerriere... In breve ne raggiungono Le radunate schiere... Cento vendette, e cento Faremo in un sol dì. OTUMBO E CORO Oh gioia!... Il gran momento È presso dunque? TUTTI Ah! sì. Si abbracciano con occhi scintillanti di selvaggia esultanza, quindi irrompono ad una voce Nume dell armi, i tuoi furori Spira, trasfondi ne petti nostri. - Quei crudi tremino, quegli oppressori D oro, e di sangue avidi mostri! Tutti morranno di morti orrende, Né tomba un solo, né rogo avrà! L odio, che atroce il cor n accende, De lor cadaveri si pascerà! Si avviano tumultuosi, agitando all aura vivamente e dardi, e clavi, ed aste ATTO PRIMO - Vita, per vita SCENA I Piazza di Lima. Al lieto suono di bellici strumenti schieransi le milizie spagnuole gli uffiziali si radunano in crocchio. UFFIZIALI PARTE I Giunse or or, da lido ispano, Un messaggio. PARTE II Del Sovrano. PARTE III Del Sovrano! PARTE I È ver. PARTE II Ne chiama Forse all armi? TUTTI con entusiasmo guerriero S ei lo brama, Se vedremo all aura i segni Dell Iberia sventolar, Nuove palme, e nuovi regni Voleremo a conquistar. SCENA II Alvaro, Gusmano, Ataliba, altri Uffiziali, e detti. ALVARO Alta cagion qui v assembrava, o forti. Grave d età soverchia, il fren di questa Ampia contrada io lascio; il re l affida A più gagliarda mano Succede il figlio a me. Presentando Gusmano alle schiere CORO Viva Gusmano! GUSMANO Atto primier del mio novello grado La pace sia, fra l Inca, E noi fermata. EI del monarca ibero Al venerato impero Si china ATALIBA E la mia fede Costringo a lui. Protendendo la destra in atto grave di giuramento GUSMANO Della città le porte Fien quindi a suoi dischiuse. Un dolce pegno Tu promettevi, a render più solenne La pace! ATALIBA Alzira? È ver!... ma d imenei Tempo non parmi ancor... dentro quel seno Cova fatal mestizia... GUSMANO Intendo appieno! Eterna la memoria D un folle amor l ingombra! Dal regno delle tenebre Me la contrasta un ombra! Chi vivo debellai Forza è ch io tema estinto... Mille battaglie ho vinto, Vincer non posso un cor! ALVARO Persisti, e vincerai. Amor produce amor. ATALIBA Al suo martir concedere Vuolsi un indugio. GUSMANO Amore Io provo, che non tollera Indugio alcun. Signore, A voti miei la piega... Sei padre... ceda a te... Imponi... esorta... prega... ATALIBA Vado... riposa in me. Parte GUSMANO Quanto un mortal può chiedere Benigno il ciel m offerse... Di gloria mi coverse, Mi pose un mondo al piè. Ma non s appaga l anima, Che ad altro ben sospira... Ah! senza il cor d Alzira Un mondo è poco a me! ALVARO e CORO La desiata Alzira Amor conceda a te. Partono SCENA III Appartamento destinato ad Ataliba, nel palagio del Governatore. Zuma s avanza tacitamente, seguita da altre donzelle americane. Alzira. ZUMA sollevando una cortina, al di là della quale scorgesi Alzira giacente Riposa. Tutte, in suo dolor vegliante, Scorse l ore notturne, alfin sugli occhi, Stanchi dal pianto, mattutin discese Lieve sopor. DONZELLE Le più gradite immagini Amor presenti ad essa Pace a quell alma oppressa Infonda il sonno almen. ALZIRA sognando Zamoro!... ZUMA E sempre, Vegli o dorma, quel nome! ALZIRA destandosi e percorrendo la scena, come in cerca d alcuno Ov è?... Sparve... fu sogno!... ZUMA Alzira... oh come Balza il tuo cor!... ALZIRA Dal petto Ei tenta sprigionarsi, E volare al suo ben, lungi da queste Vitali aure abborrite... DONZELLE Ti calma. ALZIRA Egli m apparve. ZUMA E DONZELLE Egli? ALZIRA Sì... udite. Da Gusman, su fragil barca, Io fuggia, dell onde in grembo... Ma terribil surse il nembo, E sconvolse, cielo, e mar. Di terror, d affanno carca Io chiedea soccorso invano... La sua preda l oceano È già presso ad ingojar. Quando, in sen d un ombra errante, Fra le nubi son levata... In quell ombra, oh me beata! Io ravviso il mio tesor! L universo, in quell istante, Mi sembrò d amor vestito... Fin del turbine il ruggito Voce parve a me d amor! - ZUMA E DONZELLE Alta pietade ogn anima Di noi tue fide assale... Eppur di sogni pascere Il tuo pensier che vale? Scorda un amore infausto Cui tanta il ciel fe guerra. ALZIRA Scordarlo! ZUMA E DONZELLE È forza, o misera Perì Zamoro. ALZIRA In terra. Ma in più giocondo loco Vive, e m attende... ah! sì... Morte non spegne un foco Che vero amor nudrì. - Nell astro che più fulgido La notte in ciel sfavilla, Ivi è Zarnoro, e palpita Fatto immortal scintilla Conversa in luce ascendervi A me fia dato ancor, E seco unirmi, e vivere Vita d eterno amor. ZUMA e DONZELLE (Troppo il destin fu barbaro A sì fedele amor!) SCENA IV Ataliba e dette. ATALIBA Figlia!... ALZIRA Padre! Andandogli incontro, con la fronte bassa, e quasi in atto di prostrarsi. Ad un cenno di Ataliba, Zuma, e le donzelle si ritirano ATALIBA Compir la mia promessa È d uopo alfin la mano Porger devi... ALZIRA A Gusmano? E lo potrei?... De sanguinosi eventi La memoria smarristi? Alvaro, in campo Suo prigionier ti fe, ma non osava Troncare i giorni. tuoi... Gusmano intanto A quel Zamoro, cui tu stesso avevi Giurato unirmi, tolse Possanza e vita!... ATALIBA Lo piangemmo. Or pensa A questi oppressi, e di lor duci, e numi Popoli orbati, cui soltanto avanza Un ultima speranza; Il vivo amor, che nudre Per te Gusmano... ALZIRA Amore! Sì dolce affetto, in quel tiranno core Aver può stanza? ATALIBA Dal suo labbro giovi A te l udir com ei t adora... Alzira accenna di voler parlare E forza All imeneo piegar l indole avversa. ALZIRA in tuono deciso No... ATALIBA Quando il padre impone, Ubbidisce la figlia. Parte ALZIRA Oh!... pria la morte!... SCENA V Zuma, e detta. ZUMA Alcun fra loro, cui vegliar le porte S ingiunge, annunzia che venirne implora Un de nostri al tuo piede. ALZIRA Ei s inoltri. Zuma parte Chi fia? Qual mai cagion lo tragge?... SCENA VI Zamoro, e detta. ZAMORO Anima mia!... ALZIRA indietreggiando, e con grido acutissimo Ah! l ombra sua... ZAMORO No, calmati... L aure del giorno io spiro... ALZIRA Che?... Vivi!... Non deliro?... Vivi?... ZAMORO E per te. ALZIRA Fia ver!... ZAMORO Mentì la fama... ALZIRA Oh giubilo!... ZAMORO Alzira mia!... ALZIRA Zamoro!... A DUE Io non resisto... io moro... Io moro di piacer!... - ALZIRA Qual mai prodigio renderti A me potea? ZAMORO Mal vivo Rimasto fra gli spasimi, Sembrai di vita privo. Ma dimmi, è ver che stringerti Ad abborrito ispano Tu promettevi? ALZIRA E crederlo Potresti? ZAMORO Al rio Gusmano?... ALZIRA Ah! parlami soltanto Dell amor tuo, di te. ZAMORO E m ami sempre? ALZIRA Oh quanto!... ZAMORO Mi giuri?... ALZIRA Eterna fè. A DUE Risorge ne tuoi lumi L astro de giorni miei! Quanto sinor perdei Reso mi viene in te! De nostri infidi numi Cadde il fallace impero, Ma nume fido, e vero Ancor tu sei per me! SCENA VII Gusmano, Ataliba, e detti, quindi Ufficiali, e Soldati spagnuoli, Zuma, e donzelle americane. GUSMANO scorgendo Alzira presso a Zamoro Qual ardimento!... Olà?... ALZIRA Gusman!... ATALIBA Traveggo!... GUSMANO Chi fia l indegno?... Al guardo avanzandosi Creder potrò?... Zamoro!... ZUMA, DONZELLE, SPAGNUOLI Zamoro!... ZAMORO Sì, quel desso, a cui rapisti Ogni ben sulla terra, Tranne d Alzira il cor, che mio fu sempre... E sempre mio sarà. GUSMANO Di sdegno avvampo!... Soldati a voi l audace Affido ALZIRA Che!... ATALIBA La pace Osi tu violar? GUSMANO Costui qui venne Certo a compier disegni Malvagi... Un traditore Egli è. ZAMORO Qui venni a ripigliarmi Alzira... Il nostro imene fu promesso... ALZIRA E vero... ZAMORO M è la sua man dovuta. GUSMANO A te dovuta È la scure. ATALIBA Signor!... GUSMANO Lo trascinate Al supplizio. ALZIRA Al supplizio!... ATALIBA, ZUMA Oh Ciel!... ALZIRA cacciandosi disperatamente fra i soldati, e Zamoro Fermate... ZAMORO Teco sperai combattere, Ma nella pugna invano Io ti chiamai... mi trassero Prigione a te, Gusmano... Di ceppi, e di patiboli Tu favellasti allora, Di scure, e di supplizio Or tu favelli ancora E sei guerrier? Carnefice, E non guerrier sei tu! GUSMANO Udiste il cenno? Compiasi. Ai soldati che muovonsi, in atto di strascinar Zamoro ALZIRA No, crudi... no... SCENA VIII Alvaro, e detti. ALVARO Che fu?... ALZIRA Vive Zamoro, e il barbaro Spento lo vuol... ALVARO Chi veggio!... È desso, è quel magnanimo A cui la vita io deggio!... GUSMANO Fia ver!... Viva sorpresa in tutti ALZIRA ad Alvaro Pietade implora... ALVARO Grazia per esso. GUSMANO Ah! no... ALVARO Grazia. GUSMANO È destin che ei mora Oltre sfuggir nol può. ALVARO cadendo in ginocchio a piè di Gusmano Nella polve, genuflesso Ecco un padre innanzi al figlio... Involato fui per esso Della morte al crudo artiglio... E volerne puoi lo scempio? Esser puoi sì fiero, ed empio? No, Gusmano, se una stilla Del mio sangue scorre in te. GUSMANO A quest alma piena d ira Mal tu parli di clemenza Chi mi toglie il cor d Alzira Non ha dritto all esistenza. Ah! per te, per te darei Il mio sangue, i giorni miei... Ma la grazia che domandi Più di morte è ria per me! ALZIRA Il contento fu per noi Breve sogno mentitore! Sul mattin de giorni tuoi Scese il nembo struggitore! Ma quel crudo non può tanto, Che mi strappi a te d accanto Il tuo fato, è il fato mio... Vita, o morte insiem con te. ZAMORO Vivi Alzira, ma fedele Al primier giurato affetto In eterno pel crudele Odio, e sprezzo serba in petto. Dal tuo labbro ascolti ognora Che tu m ami estinto ancora... Del supplizio ch ei m appresta La vendetta io fido a te. ATALIBA, ZUMA, DONZELLE (Ahi! che stanca della sorte L ira ingiusta ancor non è) GUERRIERI (Egli un dì campò da morte, Evitarla or non poté) Odesi un murmure lontano, che cresce a poco a poco GUSMANO Qual suon?... SCENA IX Ovando e detti GUSMANO Che avvenne? OVANDO Il Rima Varcò nemico stuolo Arditi verso Lima Traggon que folli a volo; E in mezzo al procelloso Fragor dell armi loro, Un grido minaccioso Domanda a noi Zamoro. ALVARO Figlio!... ALZIRA Gusmano! ZAMORO Ah! spento Cadrò, ma vendicato! ALVARO Che pensi?... GUSMANO Dell evento Mercé propizio fato! - Padre, vincesti; a lui Vita, per vita io dono. ALVARO E ATALIBA Cielo!... ALZIRA Ed è ver?... GUSMANO alle guardie Costui Libero parta. Io sono Tuo figlio! Correndo fra le braccia del padre Vanne al campo... a Zamoro Ci rivedrem colà!... ZAMORO Oh gioia! GUSMANO Breve lampo Il viver tuo sarà. Trema, trema... a ritorti fra l armi Vengo il dono, rivale abborrito... Il tuo capo, alla scure fuggito, Al mio brando fuggir non potrà! ZAMORO Ah! vederti, superbo, già parmi Nella polve cader trucidato... Al tuo capo, di sangue bruttato, Questa mano la chioma torrà. ALZIRA Io ti seguo, tuo scudo vo farmi Contro l empio nemico furore... Non è brando che giunga al tuo core. Se il mio cor pria squarciato non ha. OVANDO E GUERRIERI Nel tremendo apparato dell armi Agl insani mostriamo la fronte... Di nemici cadaveri un monte Tutto il campo fra poco sarà! ALVARO, ATALIBA, ZUMA, DONZELLE Ahi! che il genio funesto dell armi Ridestato ha il tremendo suo foco!... D altro sangue cosparsa fra poco Questa terra innocente sarà! Gusmano e gli altri guerrieri brandiscono ferocemente le spade, ed escono dall opposto lato pel quale parte Zamoro. Ataliba, e le donne trattengono Alzira, che cerca seguirlo. PROLOGO - Il prigioniero SCENA I Vasta pianura, irrigata dal Rima l oriente è ingombro di maestose nubi, imporporate dai raggi del sole nascente. Otumbo, a capo d una tribù di americani, trascinando Alvaro fra catene. OTUMBO E CORO mentre alcuni annodano Alvaro ad un tronco Muoja, muoja coverto d insulti, I martiri sien crudi, ma lenti, Con accento ferocissimo Strappi ad esso codardi singulti Il tormento di mille tormenti. - O fratelli, caduti pugnando, Dalle tombe sorgete ululando... L inno insieme del trionfo s intuoni, Mentr ei sparge l estremo respir. ALVARO (A costoro quel nume perdoni Cui mi volgo, già presso a morir) GLI AMERICANI alzando urli di frenetica gioia, si avventano sul prigioniero, alcuni con dardi altri con picche e tizzi ardenti, e concitandosi l un l altro con le parole muoja, muoja, quando apparisce sul fiume una canòa OTUMBO Chi giunge?... Un americano discende dalla canòa. SCENA II Zamoro, e detti. CORO Ah! Riconoscendolo, e con grido di gioja e maraviglia OTUMBO Tu! CORO Fia vero!... Gettandosi, con Otumbo, a piè di lui ZAMORO Sorgete. Inoltrandosi Un prigioniero! Figge lo sguardo in Alvaro, e sembra commosso dalla sua veneranda canizie Del primo rieder mio non vo la gioia Mista col sangue a me costui donate. OTUMBO E CORO Abbilo. ZAMORO sciogliendo i legami di Alvaro Vivi. ALVARO Giusto ciel!... Come trasognato ZAMORO Frà tuoi Ritorna, o vecchio, ed a color, che noi Chiaman selvaggi, narra Che ti donò la vita Un selvaggio. ALVARO abbracciando Zamoro con tutta l effusione di un anima riconoscente Ti dica il pianto mio Quel che non può l accento. Ad un cenno di Zamoro, Alvaro parte, scortato da alcuno della tribù OTUMBO Ah! quale iddio Serbò Zamoro, i giorni tuoi? Qui spento Ognun ti pianse! ZAMORO Ed a nemici ancora Tal sembrai, ne tormenti Che apprestar mi facea l empio Gusmano... Ahi! sento a questo nome Ribollirmi le vene, alzar le chiome! Un Inca... eccesso orribile! Fu dato a cenni suoi In man di rei carnefici! E i barbari siam noi! - Parve in quel fero strazio La luce a me rapita, Ma un soffio in petto, un alito Mi rimanea di vita... Sì, vivo ancora, o perfido; Paventa il mio furor!... Le braccia tue riaprimi, Alzira, io vivo ancor. OTUMBO Col genitor la misera In Lima è prigioniera. ZAMORO Che intesi, oh ciel!... Ma toglierti Alla possanza ibera, Sposa, io m affido. OTUMBO E CORO Ah! svelane... Onde la speme? Udite. ZAMORO Risorto fra le tenebre, Per lunghe vie romite, Là trassi, ove men fervidi Piovon del sole i raggi Narrar m udian que popoli Tutti gli ostili oltraggi. OTUMBO E CORO E quindi? ZAMORO All armi sursero Mille tribù guerriere... In breve ne raggiungono Le radunate schiere... Cento vendette, e cento Faremo in un sol dì. OTUMBO E CORO Oh gioia!... Il gran momento È presso dunque? TUTTI Ah! sì. Si abbracciano con occhi scintillanti di selvaggia esultanza, quindi irrompono ad una voce Nume dell armi, i tuoi furori Spira, trasfondi ne petti nostri. - Quei crudi tremino, quegli oppressori D oro, e di sangue avidi mostri! Tutti morranno di morti orrende, Né tomba un solo, né rogo avrà! L odio, che atroce il cor n accende, De lor cadaveri si pascerà! Si avviano tumultuosi, agitando all aura vivamente e dardi, e clavi, ed aste ATTO PRIMO - Vita, per vita SCENA I Piazza di Lima. Al lieto suono di bellici strumenti schieransi le milizie spagnuole gli uffiziali si radunano in crocchio. UFFIZIALI PARTE I Giunse or or, da lido ispano, Un messaggio. PARTE II Del Sovrano. PARTE III Del Sovrano! PARTE I È ver. PARTE II Ne chiama Forse all armi? TUTTI con entusiasmo guerriero S ei lo brama, Se vedremo all aura i segni Dell Iberia sventolar, Nuove palme, e nuovi regni Voleremo a conquistar. SCENA II Alvaro, Gusmano, Ataliba, altri Uffiziali, e detti. ALVARO Alta cagion qui v assembrava, o forti. Grave d età soverchia, il fren di questa Ampia contrada io lascio; il re l affida A più gagliarda mano Succede il figlio a me. Presentando Gusmano alle schiere CORO Viva Gusmano! GUSMANO Atto primier del mio novello grado La pace sia, fra l Inca, E noi fermata. EI del monarca ibero Al venerato impero Si china ATALIBA E la mia fede Costringo a lui. Protendendo la destra in atto grave di giuramento GUSMANO Della città le porte Fien quindi a suoi dischiuse. Un dolce pegno Tu promettevi, a render più solenne La pace! ATALIBA Alzira? È ver!... ma d imenei Tempo non parmi ancor... dentro quel seno Cova fatal mestizia... GUSMANO Intendo appieno! Eterna la memoria D un folle amor l ingombra! Dal regno delle tenebre Me la contrasta un ombra! Chi vivo debellai Forza è ch io tema estinto... Mille battaglie ho vinto, Vincer non posso un cor! ALVARO Persisti, e vincerai. Amor produce amor. ATALIBA Al suo martir concedere Vuolsi un indugio. GUSMANO Amore Io provo, che non tollera Indugio alcun. Signore, A voti miei la piega... Sei padre... ceda a te... Imponi... esorta... prega... ATALIBA Vado... riposa in me. Parte GUSMANO Quanto un mortal può chiedere Benigno il ciel m offerse... Di gloria mi coverse, Mi pose un mondo al piè. Ma non s appaga l anima, Che ad altro ben sospira... Ah! senza il cor d Alzira Un mondo è poco a me! ALVARO e CORO La desiata Alzira Amor conceda a te. Partono SCENA III Appartamento destinato ad Ataliba, nel palagio del Governatore. Zuma s avanza tacitamente, seguita da altre donzelle americane. Alzira. ZUMA sollevando una cortina, al di là della quale scorgesi Alzira giacente Riposa. Tutte, in suo dolor vegliante, Scorse l ore notturne, alfin sugli occhi, Stanchi dal pianto, mattutin discese Lieve sopor. DONZELLE Le più gradite immagini Amor presenti ad essa Pace a quell alma oppressa Infonda il sonno almen. ALZIRA sognando Zamoro!... ZUMA E sempre, Vegli o dorma, quel nome! ALZIRA destandosi e percorrendo la scena, come in cerca d alcuno Ov è?... Sparve... fu sogno!... ZUMA Alzira... oh come Balza il tuo cor!... ALZIRA Dal petto Ei tenta sprigionarsi, E volare al suo ben, lungi da queste Vitali aure abborrite... DONZELLE Ti calma. ALZIRA Egli m apparve. ZUMA E DONZELLE Egli? ALZIRA Sì... udite. Da Gusman, su fragil barca, Io fuggia, dell onde in grembo... Ma terribil surse il nembo, E sconvolse, cielo, e mar. Di terror, d affanno carca Io chiedea soccorso invano... La sua preda l oceano È già presso ad ingojar. Quando, in sen d un ombra errante, Fra le nubi son levata... In quell ombra, oh me beata! Io ravviso il mio tesor! L universo, in quell istante, Mi sembrò d amor vestito... Fin del turbine il ruggito Voce parve a me d amor! - ZUMA E DONZELLE Alta pietade ogn anima Di noi tue fide assale... Eppur di sogni pascere Il tuo pensier che vale? Scorda un amore infausto Cui tanta il ciel fe guerra. ALZIRA Scordarlo! ZUMA E DONZELLE È forza, o misera Perì Zamoro. ALZIRA In terra. Ma in più giocondo loco Vive, e m attende... ah! sì... Morte non spegne un foco Che vero amor nudrì. - Nell astro che più fulgido La notte in ciel sfavilla, Ivi è Zarnoro, e palpita Fatto immortal scintilla Conversa in luce ascendervi A me fia dato ancor, E seco unirmi, e vivere Vita d eterno amor. ZUMA e DONZELLE (Troppo il destin fu barbaro A sì fedele amor!) SCENA IV Ataliba e dette. ATALIBA Figlia!... ALZIRA Padre! Andandogli incontro, con la fronte bassa, e quasi in atto di prostrarsi. Ad un cenno di Ataliba, Zuma, e le donzelle si ritirano ATALIBA Compir la mia promessa È d uopo alfin la mano Porger devi... ALZIRA A Gusmano? E lo potrei?... De sanguinosi eventi La memoria smarristi? Alvaro, in campo Suo prigionier ti fe, ma non osava Troncare i giorni. tuoi... Gusmano intanto A quel Zamoro, cui tu stesso avevi Giurato unirmi, tolse Possanza e vita!... ATALIBA Lo piangemmo. Or pensa A questi oppressi, e di lor duci, e numi Popoli orbati, cui soltanto avanza Un ultima speranza; Il vivo amor, che nudre Per te Gusmano... ALZIRA Amore! Sì dolce affetto, in quel tiranno core Aver può stanza? ATALIBA Dal suo labbro giovi A te l udir com ei t adora... Alzira accenna di voler parlare E forza All imeneo piegar l indole avversa. ALZIRA in tuono deciso No... ATALIBA Quando il padre impone, Ubbidisce la figlia. Parte ALZIRA Oh!... pria la morte!... SCENA V Zuma, e detta. ZUMA Alcun fra loro, cui vegliar le porte S ingiunge, annunzia che venirne implora Un de nostri al tuo piede. ALZIRA Ei s inoltri. Zuma parte Chi fia? Qual mai cagion lo tragge?... SCENA VI Zamoro, e detta. ZAMORO Anima mia!... ALZIRA indietreggiando, e con grido acutissimo Ah! l ombra sua... ZAMORO No, calmati... L aure del giorno io spiro... ALZIRA Che?... Vivi!... Non deliro?... Vivi?... ZAMORO E per te. ALZIRA Fia ver!... ZAMORO Mentì la fama... ALZIRA Oh giubilo!... ZAMORO Alzira mia!... ALZIRA Zamoro!... A DUE Io non resisto... io moro... Io moro di piacer!... - ALZIRA Qual mai prodigio renderti A me potea? ZAMORO Mal vivo Rimasto fra gli spasimi, Sembrai di vita privo. Ma dimmi, è ver che stringerti Ad abborrito ispano Tu promettevi? ALZIRA E crederlo Potresti? ZAMORO Al rio Gusmano?... ALZIRA Ah! parlami soltanto Dell amor tuo, di te. ZAMORO E m ami sempre? ALZIRA Oh quanto!... ZAMORO Mi giuri?... ALZIRA Eterna fè. A DUE Risorge ne tuoi lumi L astro de giorni miei! Quanto sinor perdei Reso mi viene in te! De nostri infidi numi Cadde il fallace impero, Ma nume fido, e vero Ancor tu sei per me! SCENA VII Gusmano, Ataliba, e detti, quindi Ufficiali, e Soldati spagnuoli, Zuma, e donzelle americane. GUSMANO scorgendo Alzira presso a Zamoro Qual ardimento!... Olà?... ALZIRA Gusman!... ATALIBA Traveggo!... GUSMANO Chi fia l indegno?... Al guardo avanzandosi Creder potrò?... Zamoro!... ZUMA, DONZELLE, SPAGNUOLI Zamoro!... ZAMORO Sì, quel desso, a cui rapisti Ogni ben sulla terra, Tranne d Alzira il cor, che mio fu sempre... E sempre mio sarà. GUSMANO Di sdegno avvampo!... Soldati a voi l audace Affido ALZIRA Che!... ATALIBA La pace Osi tu violar? GUSMANO Costui qui venne Certo a compier disegni Malvagi... Un traditore Egli è. ZAMORO Qui venni a ripigliarmi Alzira... Il nostro imene fu promesso... ALZIRA E vero... ZAMORO M è la sua man dovuta. GUSMANO A te dovuta È la scure. ATALIBA Signor!... GUSMANO Lo trascinate Al supplizio. ALZIRA Al supplizio!... ATALIBA, ZUMA Oh Ciel!... ALZIRA cacciandosi disperatamente fra i soldati, e Zamoro Fermate... ZAMORO Teco sperai combattere, Ma nella pugna invano Io ti chiamai... mi trassero Prigione a te, Gusmano... Di ceppi, e di patiboli Tu favellasti allora, Di scure, e di supplizio Or tu favelli ancora E sei guerrier? Carnefice, E non guerrier sei tu! GUSMANO Udiste il cenno? Compiasi. Ai soldati che muovonsi, in atto di strascinar Zamoro ALZIRA No, crudi... no... SCENA VIII Alvaro, e detti. ALVARO Che fu?... ALZIRA Vive Zamoro, e il barbaro Spento lo vuol... ALVARO Chi veggio!... È desso, è quel magnanimo A cui la vita io deggio!... GUSMANO Fia ver!... Viva sorpresa in tutti ALZIRA ad Alvaro Pietade implora... ALVARO Grazia per esso. GUSMANO Ah! no... ALVARO Grazia. GUSMANO È destin che ei mora Oltre sfuggir nol può. ALVARO cadendo in ginocchio a piè di Gusmano Nella polve, genuflesso Ecco un padre innanzi al figlio... Involato fui per esso Della morte al crudo artiglio... E volerne puoi lo scempio? Esser puoi sì fiero, ed empio? No, Gusmano, se una stilla Del mio sangue scorre in te. GUSMANO A quest alma piena d ira Mal tu parli di clemenza Chi mi toglie il cor d Alzira Non ha dritto all esistenza. Ah! per te, per te darei Il mio sangue, i giorni miei... Ma la grazia che domandi Più di morte è ria per me! ALZIRA Il contento fu per noi Breve sogno mentitore! Sul mattin de giorni tuoi Scese il nembo struggitore! Ma quel crudo non può tanto, Che mi strappi a te d accanto Il tuo fato, è il fato mio... Vita, o morte insiem con te. ZAMORO Vivi Alzira, ma fedele Al primier giurato affetto In eterno pel crudele Odio, e sprezzo serba in petto. Dal tuo labbro ascolti ognora Che tu m ami estinto ancora... Del supplizio ch ei m appresta La vendetta io fido a te. ATALIBA, ZUMA, DONZELLE (Ahi! che stanca della sorte L ira ingiusta ancor non è) GUERRIERI (Egli un dì campò da morte, Evitarla or non poté) Odesi un murmure lontano, che cresce a poco a poco GUSMANO Qual suon?... SCENA IX Ovando e detti GUSMANO Che avvenne? OVANDO Il Rima Varcò nemico stuolo Arditi verso Lima Traggon que folli a volo; E in mezzo al procelloso Fragor dell armi loro, Un grido minaccioso Domanda a noi Zamoro. ALVARO Figlio!... ALZIRA Gusmano! ZAMORO Ah! spento Cadrò, ma vendicato! ALVARO Che pensi?... GUSMANO Dell evento Mercé propizio fato! - Padre, vincesti; a lui Vita, per vita io dono. ALVARO E ATALIBA Cielo!... ALZIRA Ed è ver?... GUSMANO alle guardie Costui Libero parta. Io sono Tuo figlio! Correndo fra le braccia del padre Vanne al campo... a Zamoro Ci rivedrem colà!... ZAMORO Oh gioia! GUSMANO Breve lampo Il viver tuo sarà. Trema, trema... a ritorti fra l armi Vengo il dono, rivale abborrito... Il tuo capo, alla scure fuggito, Al mio brando fuggir non potrà! ZAMORO Ah! vederti, superbo, già parmi Nella polve cader trucidato... Al tuo capo, di sangue bruttato, Questa mano la chioma torrà. ALZIRA Io ti seguo, tuo scudo vo farmi Contro l empio nemico furore... Non è brando che giunga al tuo core. Se il mio cor pria squarciato non ha. OVANDO E GUERRIERI Nel tremendo apparato dell armi Agl insani mostriamo la fronte... Di nemici cadaveri un monte Tutto il campo fra poco sarà! ALVARO, ATALIBA, ZUMA, DONZELLE Ahi! che il genio funesto dell armi Ridestato ha il tremendo suo foco!... D altro sangue cosparsa fra poco Questa terra innocente sarà! Gusmano e gli altri guerrieri brandiscono ferocemente le spade, ed escono dall opposto lato pel quale parte Zamoro. Ataliba, e le donne trattengono Alzira, che cerca seguirlo. Verdi,Giuseppe/Alzira/II
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Chest List crops Chest Name Chest Reel Content How to Get Grain1 Wheat★★x3 Beaming Plains Acid Pond Void Merry-go-round Wheat★★x4 Wheat★★x3 Wheat★★★x2 Wheat★★x3 Wheat★x4 Grain+ Wheat★★★x5 Lord of the Forest Wheat★★x8 Wheat★★★x4 Wheat★★★x4 Wheat★★★x5 Wheat★x8 Sweetness1 Beets★★x2 Waterfall Hollows Mole's Nest Lord of Hyphae Dancing blaze Corn ★★x5 Corn ★x7 Beets★x3 Rock Salt★x3 Beets★x2 Various Vegetables1 Mushroom★x2 Sly Supply Soldier The Marionette Merry-go-round Burdock★x2 Onion★x2 Broccoli★x2 Eggplant★x2 Turnip★x2 Dry Grass★x5 Green Vegetable1 Lettuce★x2 Evening RainAcid Appetizer Nocturnal Mirage(Night) Cabbage★x2 Bell Pepper★x2 Cucumber★x2 Celery★x2 Paprika★x2 Dry Grass★x7 Yellow Vegetable1 Beets★x2 Blood Conqueror Nocturnal Mirage(Night)Lord of Hyphae Acid Pond Void(Night) Carrot★x2 Burdock★x2 Garlic★x2 Tomato★x2 Turnip★x2 Fruit,Mushroom,Herb Fruit1 Blood Apple★x2 Bird's Cage Nocturnal Mirage(Night) Blood Apple★x3 Blood Cherryー ★★x3 Blood Apple★x3 Blood Apple★x2 Blood Cherryー ★★x4 Blood Apple★★x2 Blood Cherryー ★★x3 Fruit2 Blood Pine★x4 Acid-soaked Hedgehog Dancing blaze Blood Cherryー ★★x7 Blood Apple★★★x2 Blood Apple★★x4 Blood Pine★x3 Blood Apple★★x3 Blood Apple★x5 Mushroom1 Mushroom★x1 Acid-soaked Hedgehog Lord of Hyphae Mushroom★x2 Mushroom★x1 Mushroom★x1 Mushroom★x3 Mushroom★x2 Mushroom★x2 Mushroom+ Spotted Mushroom★x2 Lord of HyphaeWatch Your HeadAir corridor Mushroom★★x5 Mushroom★x9 Spotted Mushroom★x3 Mushroom★★★★x3 Spotted Mushroom★x6 Mushroom★x10 Herb1 Black-striped Herb★x2 Seductive SwampWind Atrium Rosemary★x2 Lemongrass★x2 Peppermint★x1 Chamomile★x1 Herb2 Basil★x1 Greedy IndulgenceWind AtriumJack in The Box(Night) Sage★x1 Catnip★x1 Rose Geranium★x1 Lemongrass★x3 Ore Ore1 Coal★★★★x1 Uninvited Miner Nocturnal Mirage(Night)Moonless Veil(Night)Air corridor Acid Pond Void(Night)Crack Keeper(Night) Iron★x1 Quartz★★x2 Chrome★x1 Coal★★★x2 ore2 Stone★x3 Greedy IndulgencePatchwork Laboratory Steel★x2 Sulfur★x2 Gold ore★x2 Sapphire★x1 Stone★x1 ore3 Stone★x2 Patchwork LaboratoryNocturnal Feast(Night) Gold ore★x1 Rock Salt★x3 Amethyst★x2 Topaz★x1 Gold ore★x1 ore+ Sapphire★=0 The MarionettePatchwork Laboratory Gold ore★x3 Topaz★=0 Gold ore★x3 Red Beryl★=0 Gold ore★★x4 Morganite★=0 Chrome★x3 Gemstone1 Rock Salt★x2 Evening Rain Watch Your Head Crack Keeper(Night) Quartz★★x2 Quartz★★x3 Coal★x4 Rock Salt★x3 Coal★x3 Amethyst★x1 Various Meat,Crafting Various Meat1 Monster's Meat★x2 The Outcast Dog Park Garlic★x2 Monster's Meat★x1 Monster's Liver★x1 Monster's Meat★★x1 Onion★x2 Various Meat+ Livestock Meat★x2 The Outcast Beaming Plains Seductive Swamp Monster's Meat★★x4 Livestock Egg★=0 Monster's Liver★x4 Livestock Meat★=0 Monster's Meat★★★x2 Crafting Wood★x4 Slippery LizardsThe Outcast Stone★x3 Wood★x3 Wood★x6 Stone★x2 Wood★★x3 Coal★x3 Crafting+ Wood★★x7 Lord of the ForestUninvited Miner Stone★x9 Wood★x10 Wood★x14 Stone★★x4 Wood★★★x6 Coal★x9 Monster Material1 Monster Material1 Gel★x3 Floor of Spores Blood Conqueror Jack in The Box(Night)Watch Your Head Crack Keeper(Night) Gel★★x2 Glass Shard★x1 Gel★x3 Monster's Skin★x1 Gel★x4 Monster's Skin★x2 Glass Shard★x2 Monster Material2 Gel★x4 Jack in The Box(Night)Acid-soaked Hedgehog The Marionette Acid Pond Void(Night) Dancing blaze Glass Shard★x3 Gel★★x3 Monster's Liver★x1 Glass Shard★x2 Monster's Meat★x2 Monster Material3 Gel★x5 Can be dropped by Contaminated Enemies Dark Essence★x2 Monster's Liver★x2 Dark Essence★★x1 Glass Shard★x4 Monster's Skin★x3 Monster Material4 Dark Essence★x1 Can be dropped by Contaminated Enemies Dark Essence★x2 Dark Essence★★x1 Dark Essence★x1 Monster's Liver★x1
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Subjects-Science-EarthSciences-AtmosphericSciences-AtmosphericPhysics? Subjects-Science-EarthSciences-AtmosphericSciences-AtmosphericChemistry? Subjects-Science-Physics-General? Directory Iron and Steel Plants 1996 (Serial) Assn for Iron & Steel Technology? Paul W. Rozmus? AssnforIron&SteelTechnology? PaulW.Rozmus? ユーズドブック(洋書)-Engineering Subjects-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Reference-Catalogs&Directories-Directories? Subjects-Reference-General? Entwicklung einer Werbekonzeption bei Einfuehrung eines neuen Produktes. Eine empirische Studie am Beispiel der Dr. Oetker Brotmischung Haag + Herchen? Ulrich Frantz? Hans J Richter? Haag+Herchen? UlrichFrantz? HansJRichter? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Science-Chemistry-ChemicalEngineering? The Expanding World of Chemical Engineering Gordon & Breach Science Pub? John Garside? Shintaro Furusaki? Gordon&BreachSciencePub? JohnGarside? ShintaroFurusaki? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-43? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Zug der Zeit - Zeit der Zuege. Deutsche Eisenbahnen 1935 - 1985 Siedler Verlag? Manfred Jehle? Franz Sonnenberger? Ulrich Langner? Karl Heinz Rohmer? SiedlerVerlag? ManfredJehle? FranzSonnenberger? UlrichLangner? KarlHeinzRohmer? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? Subjects-Engineering-Civil-Transportation&Highway? Subjects-History-Europe-Germany-General? Subjects-Nonfiction-Transportation-Railroads-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Rubber Technology Handbook Hanser Publishers? Werner Hofman? HanserPublishers? WernerHofman? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-65? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Reference? Modern Well Design Aa Balkema? Bernt S. Aadnoy? AaBalkema? BerntS.Aadnoy? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Foundations&SoilMechanics? Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Engineering-Civil-Environmental-Mining? Subjects-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Civil-Mining? 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Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Thermische Stabilisierung von Hauptspindeln in Werkzeugmaschinen Hanser Fachbuchverlag? Joachim Heise? HanserFachbuchverlag? JoachimHeise? ユーズドブック(洋書)-Engineering Subjects-Engineering-Mechanical-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Physics-Applied? Biotechnology Focus Hanser Publishers? Robert K. Finn? Paul Prave? M. Schlingmann? W. Crueger? K. Esser? R. Thauer? F. Wagner? Helen Schluter-Cooper? HanserPublishers? RobertK.Finn? PaulPrave? M.Schlingmann? W.Crueger? K.Esser? R.Thauer? F.Wagner? HelenSchluter-Cooper? ユーズドブック(洋書)-Engineering Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-BiologicalSciences-Biology-Microbiology? The Global Marine Engine Market Automotive World Publications? David Tinsley? AutomotiveWorldPublications? DavidTinsley? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-39? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Winning in an Age of Change Automotive World Publications? IRN? AutomotiveWorldPublications? IRN? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-39? Subjects-Business&Investing-Management&Leadership-Distribution&WarehouseManagement? Subjects-Engineering-Automotive? Subjects-Nonfiction-Automotive-Industry? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Distribution&WarehouseManagement? Organic Nonlinear Optical Materials (Advances in Nonlinear Optics, Vol 1) Gordon & Breach Science Pub? K. Sutter? P. Pretre? J. Hulliger? M. Florsheimer? P. Kaatz? Gunter P.? Ch Bosshard? Gordon&BreachSciencePub? K.Sutter? P.Pretre? J.Hulliger? M.Florsheimer? P.Kaatz? GunterP.? ChBosshard? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-Electrical&Electronics-Optics-Materials? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-Chemistry-Organic-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Optics? Subjects-Science-Physics-Applied? ユーズドブック(洋書)-Engineering 洋書
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Recent Advances in Differential Equations (Research Notes in Mathematics Series) Longman Sc & Tech? H. H. Dai? P. L. Sachdev? LongmanSc&Tech? H.H.Dai? P.L.Sachdev? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-DifferentialEquations? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Algebra-General? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-Algebra-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Mathematics-Applied-DifferentialEquations? Subjects-Science-Technology-General&Reference Construction Technology Vol. 3 Tunnelling, Demolition, Under-Pinning, Fire Escapes, Claddings, Roofs (Longman Technician Series) Trans-Atlantic Publications? Roy Chudley? Trans-AtlanticPublications? RoyChudley? ジャンル別? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&PublicPolicy? Science and Technology in Eastern Europe (Longman Guide to World Science and Technology, 8) Gale Group? Gyorgy Darvas? GaleGroup? GyorgyDarvas? ジャンル別? Substores-UnknownASINs-14? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&PublicPolicy? Science and Technology in China (Cartermill Guides to World Science Technology) Gale Group? Tong B. Tang? GaleGroup? TongB.Tang? ジャンル別? Substores-UnknownASINs-14? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? 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Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Technology&PublicPolicy? Subjects-Travel-PolarRegions-Antarctica? Dictionary of Inventions and Discoveries Muller? Ernest Frank Carter? Muller? ErnestFrankCarter? ジャンル別? Subjects-Science-Technology-General&Reference New Sources of Energy and Power Frederick Muller Ltd? Egon Larsen? FrederickMullerLtd? EgonLarsen? ジャンル別? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Unlocking the Atom Frederick Muller Ltd? Michael Longstaff? FrederickMullerLtd? MichaelLongstaff? ジャンル別? Subjects-Engineering? Subjects-History-Europe-England-General? Subjects-Professional&Technical-Engineering? Subjects-Science-Physics-Applied? 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Subjects-Science-Technology-General&Reference The Interdisciplinary Imperative Interactive Research and Education, Still an Elusive Goal in Academia Writers Club Pr? Rustum Roy? WritersClubPr? RustumRoy? ジャンル別? Subjects-Nonfiction-Education-EducationTheory-Research? Subjects-Professional&Technical-Education-Theory-Research? Subjects-Science-General Subjects-Science-Technology-General&Reference Write Better and Get Ahead at Work Successful Methods for Writing the Easy, Natural Way Iuniverse Inc? Michael Dolan? IuniverseInc? MichaelDolan? ジャンル別? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Business&Investing-BusinessLife-Communication-BusinessWriting? Subjects-Business&Investing-General? Subjects-Business&Investing-Reference-Writing? Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Reference-Writing-Technical? Subjects-Reference-Writing-Business? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? Keyword Index 1999 Fda Model Food Code Backinprint.Com? Gary Barnes? Backinprint.Com? GaryBarnes? ジャンル別? Subjects-Engineering-Reference? Subjects-Law-PerspectivesonLaw-Jurisprudence? Subjects-Law-LawPractice-Reference? Subjects-Nonfiction-Law-PerspectivesonLaw-Jurisprudence? Subjects-Nonfiction-Law-LawPractice-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Law-LawPractice-Reference? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences-General? Subjects-Reference-ConsumerGuides? Subjects-Reference-General? Subjects-Reference-Law? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-FoodScience? Hobby Farming A Collection of Articles for the Novice Farmer Writers Club Pr? Don De Beyer? WritersClubPr? DonDeBeyer? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-General? A Beginner's Guide to Understanding Technical Support Writers Club Pr? Jose-Albin D. Afable? WritersClubPr? Jose-AlbinD.Afable? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown1? Blazing Trails Finite Element Pioneers in Milwaukee Iuniverse Inc? Vern Overbye? Paul Bodine? IuniverseInc? VernOverbye? PaulBodine? ジャンル別? Substores-UnknownASINs-14? Subjects-Science-General Subjects-Science-Technology-General&Reference Chemistry in a Day of Student's Life Writers Club Pr? Mahadev M. Kumbar? WritersClubPr? MahadevM.Kumbar? ジャンル別? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-MolecularPhysics? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Physics-MolecularPhysics? Subjects-Science-Technology-General&Reference Left Overs An Auto Auction Memoir Iuniverse Inc? Gerald A. Rogers? IuniverseInc? Gerald A. Rogers? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-Industry? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Safety&Health? Pitfalls of a Returning Resident Lament on Our Times Iuniverse Inc? Nathan Sap? IuniverseInc? NathanSap? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Memoirs? Subjects-Nonfiction-Politics-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Answering The Call Communication Technologies And The Not-for-profit Organization Iuniverse Inc? Joseph Robert Liberto? IuniverseInc? JosephRobertLiberto? ジャンル別? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Engineering-Telecommunications-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Technology-General&Reference The Nunex Method A 7-step Guide For Documenting Technical Projects Successfully Iuniverse Inc? Richard Nunez? John Palmisano? Eric Shapiro? IuniverseInc? RichardNunez? JohnPalmisano? EricShapiro? ジャンル別? Subjects-Computers&Internet-General? Subjects-Science-Technology-General&Reference J2ee Simplified A Practical Guide to J2ee Project Technologies for Project Managers And Other Non-developer Team Members Iuniverse Inc? Gregory Powell? IuniverseInc? 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Technology and the Future of Health Care Preparing for the Next 30 Years John Wiley & Sons Inc? David Ellis? Margaret L. Campbell? Donald K. Crandall? Brian E. Peters? Craig Ruff? Kevin, L. Seitz? Marianne Udow? JohnWiley&SonsInc? DavidEllis? MargaretL.Campbell? DonaldK.Crandall? BrianE.Peters? CraigRuff? Kevin,L.Seitz? MarianneUdow? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? Subjects-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-AlliedHealthProfessions-MedicalTechnology? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-HealthCareDelivery? Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalTechnology? Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-Nanotechnology? Subjects-Science-Technology-Innovations? Subjects-Science-Medicine-Administration&Policy-HealthCareDelivery? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-AlliedHealthProfessions-MedicalTechnology? Crackpot or Genius? A Complete Guide to the Uncommon Art of Inventing Chicago Review Pr? Francis D. Reynolds? ChicagoReviewPr? FrancisD.Reynolds? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-35 Subjects-Business&Investing-General? Subjects-Engineering-Patents&Inventions? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-General Subjects-Science-Technology-General&Reference Women Invent Two Centuries of Discoveries That Have Shaped Our World Chicago Review Pr? Susan Casey? ChicagoReviewPr? SusanCasey? ジャンル別? ユーズドブック(洋書)-Teens? Subjects-Children sBooks-People&Places-Girls&Women-Nonfiction? Subjects-Children sBooks-People&Places-Biographies-Science&Technology? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Children sBooks-Science,Nature&HowItWorks-Inventions&Inventors? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? Survival Skills of the North American Indians Chicago Review Pr? Peter Goodchild? ChicagoReviewPr? PeterGoodchild? ジャンル別? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Sports? Subjects-History-Americas-UnitedStates? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-OutdoorRecreation-Hiking&Camping-Instructional? Subjects-Science-Nature&Ecology-General? Subjects-Science-Technology-General&Reference Subjects-Sports-Hiking&Camping-Instructional? A Field Guide to Household Technology Chicago Review Pr? Ed Sobey? ChicagoReviewPr? EdSobey? ジャンル別? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-Reference? Subjects-Home&Garden-How-to&HomeImprovements-Do-It-Yourself? Subjects-Home&Garden-How-to&HomeImprovements-Reference? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Building News Electrical 98 Costbook Building News? Bni? BuildingNews? Bni? ジャンル別? Substores-UnknownASINs-35 Subjects-Science-General Subjects-Science-Technology-General&Reference The First Air Voyage in America January 9, 1793 Applewood Books? Jean-Pierre Blanchard? ApplewoodBooks? Jean-PierreBlanchard? ジャンル別? ユーズドブック(洋書)-History? ユーズドブック(洋書)-Romance? Subjects-History-Americas-UnitedStates-State&Local-Pennsylvania? Subjects-History-World-Transportation-Aviation? Subjects-Nonfiction-Transportation-Aviation-History? Subjects-Romance-Contemporary-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The New Science of Technical Analysis Using the Statistical Techniques of Neuroscience to Uncover Order and Chaos in the Markets Probus Professional Pub? Clifford J. Sherry? ProbusProfessionalPub? CliffordJ.Sherry? ジャンル別? Subjects-Business&Investing-Finance? Subjects-Business&Investing-General? Subjects-Business&Investing-Investing-General? Subjects-Business&Investing-Management&Leadership-SystemsAnalysis? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-SystemsAnalysis? Subjects-Science-Technology-General&Reference Technical Analysis from A to Z Covers Every Trading Tool...from the Absolute Breadth Index to the Zig Zag Probus Pub Co? Steven B. Achelis? ProbusPubCo? StevenB.Achelis? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Investing-General? Subjects-Science-Technology-General&Reference The Bluejacket's Manual (Bluejackets' Manual) Naval Inst Pr? Thomas J. Cutler? NavalInstPr? ThomasJ.Cutler? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-History-MilitaryScience? Subjects-Nonfiction-Transportation-Ships-General? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference A Round Indiana Round Barns in the Hoosier State Purdue Univ Pr? John T. Hanou? PurdueUnivPr? JohnT.Hanou? ジャンル別? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Home&Garden? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-Residential? Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-SpecialTopics-AgriculturalEngineering? Subjects-History-Americas-UnitedStates-State&Local-Indiana? Subjects-History-Americas-UnitedStates-State&Local-General? Subjects-Home&Garden-HomeDesign-General? Subjects-Professional&Technical-Engineering-SpecialTopics-AgriculturalEngineering? Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-Residential? Subjects-Professional&Technical-Architecture-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Building New York's Sewers Developing Mechanisms of Urban Management (Purdue University Press History of Technology Series) Purdue Univ Pr? Joanne Abel Goldman? PurdueUnivPr? JoanneAbelGoldman? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Civil-Environmental-SewageDisposal&Treatment? Subjects-History-Americas-UnitedStates-19thCentury-General? Subjects-History-Americas-UnitedStates-State&Local-NewYork? Subjects-History-Americas-UnitedStates-State&Local-General? Subjects-Home&Garden-Crafts&Hobbies-General? Subjects-Home&Garden-Crafts&Hobbies-Sewing? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Government-PublicAffairs&Administration? 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KateFoss-Mollan? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Outdoors&Nature Subjects-Business&Investing-General? Subjects-Engineering-Civil-Hydrology? Subjects-History-Americas-UnitedStates-19thCentury-General? Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-History-Americas-UnitedStates-State&Local-Wisconsin? Subjects-History-Americas-UnitedStates-State&Local-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-LocalGovernment? Subjects-Nonfiction-Government-FederalGovernment? Subjects-Nonfiction-Government-PublicPolicy? Subjects-Outdoors&Nature-Conservation-Water? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-Technology-General&Reference The Finer Thread, the Tighter Weave Essays on the Short Fiction of Henry James Purdue Univ Pr? Joseph Dewey? Brooke Horvath? PurdueUnivPr? JosephDewey? BrookeHorvath? ジャンル別? Subjects-Literature&Fiction-General-Literary? Subjects-Literature&Fiction-ShortStories-UnitedStates? Subjects-Literature&Fiction-ShortStories-British? Subjects-Literature&Fiction-WorldLiterature-British-19thCentury? Subjects-Literature&Fiction-WorldLiterature-British-20thCentury? Subjects-Science-Technology-General&Reference Heavy Gas and Risk Assessment III Proceedings of the Third Symposium on Heavy Gas and Risk Assessment, Bonn, Wissenschaftszentrum, November 12-13, D Reidel Pub Co? Sylvius Hartwig? DReidelPubCo? SylviusHartwig? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Air? 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Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Technology-General&Reference From Pioneering to Persevering Family Farming in Indiana to 1880 Purdue Univ Pr? Paul Salstrom? PurdueUnivPr? PaulSalstrom? ジャンル別? ユーズドブック(洋書)-History? Subjects-History-Americas-UnitedStates-State&Local-Indiana? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-General? A Biographical Dictionary of People in Engineering From the Earliest Records to 2000 Purdue Univ Pr? Carl W. Hall? PurdueUnivPr? CarlW.Hall? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Publishing&Books-Bibliographies&Indexes-History? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-Science? Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Impact of Tablet PC's and Pen-based Technology on Education 2007 Beyond the Tipping Point Purdue Univ Pr? Dave A. Berque? Jane C. Prey? Robert H. Reed? PurdueUnivPr? DaveA.Berque? JaneC.Prey? RobertH.Reed? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Science-Technology-General&Reference Contexts of Early Intervention Systems and Settings Paul H Brookes Pub Co? S. Kenneth Thurman? Janet R., Ph.D. Cornwell? Sheryl Ridener, Ph.D. Gottwald? PaulHBrookesPubCo? S.KennethThurman? JanetR.,Ph.D.Cornwell? SherylRidener,Ph.D.Gottwald? ジャンル別? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Law? Substores-UnknownASINs-35 Subjects-Health,Mind&Body-PersonalHealth-Children sHealth-SpecialNeedsChildren? Subjects-Law-Specialties-Disability? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Education-SpecialEducation-General? Subjects-Nonfiction-Law-Specialties-Disability? Subjects-Professional&Technical-Education-SpecialEducation-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Macarthur Inventario Del Desarrollo De Habilidades Communicativas User's Guide and Technical Manual Paul H Brookes Pub Co? Donna J. Thal? Larry Fenson? Virginia A. Marchman? Donna Jackson-Maldonado? PaulHBrookesPubCo? DonnaJ.Thal? LarryFenson? VirginiaA.Marchman? DonnaJackson-Maldonado? ジャンル別? ユーズドブック(洋書)-Health,Mind&Body? ユーズドブック(洋書)-Medicine? Subjects-Health,Mind&Body-Psychology&Counseling-ChildPsychology-Development? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Philosophy of Technology An Introduction (Paragon Issues in Philosophy) Paragon House? Don Ihde? ParagonHouse? DonIhde? ジャンル別? Subjects-Nonfiction-Philosophy-General? Subjects-Nonfiction-Philosophy-Modern? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-PhilosophyofTechnology? House of Invention The Secret Life of Everyday Products Lyons Pr? David Lindsay? LyonsPr? DavidLindsay? ジャンル別? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Health,Mind&Body? Subjects-Engineering-Reference? Subjects-Health,Mind&Body-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference The Patent Files Dispatches from the Frontiers of Invention Lyons Pr? David Lindsay? LyonsPr? DavidLindsay? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Patents&Inventions? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Teach Yourself Autocad Foe Windows (Teach Yourself) Mis Pr? John W. Gibb? MisPr? JohnW.Gibb? ジャンル別? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-Software? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? 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The Secret Birthday Message Eric Carle The Mixed-Up Chameleon Eric Carle From Head to Toe Eric Carle The Grouchy Ladybug Eric Carle La Mariquita Malhumorada / Grouchy Ladybug Eric Carle Does a Kangaroo Have a Mother, Too? Eric Carle Does a Kangaroo Have a Mother, Too? Eric Carle De LA Cabeza a Los Pies Eric Carle The Grouchy Ladybug Eric Carle Do You Want to Be My Friend? Eric Carle LA Mariquita Malhumorada (The Grouchy Ladybug) Eric CarleSimon Saad L Hoeste? La Mariquita Malhumorada / Grouchy Ladybug Eric CarleTeresa Mlawer? The Very Hungry Caterpillar (Picture Puffin) Eric Carle Do You Want to Be My Friend? (Picture Puffin) Eric Carle 1, 2, 3, to the Zoo (Picture Puffin) Eric Carle Today Is Monday (Picture Puffin) Eric Carle Rooster's Off to See the World (Picture Puffin) Eric Carle The Tiny Seed (Picture Puffin) Eric Carle Little Cloud (Picture Puffin) Eric Carle The Very Hungry Caterpillar Eric CarleRoger McGough?Juliet Stevenson? Eric Carle's Very Special Baby Book (Baby Record Book) Eric Carle Panda Bear, Panda Bear, What Do You See? Bill MartinBill Martin Jr?Eric Carle Mister Seahorse Eric Carle
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The blessed damozel leaned out From the gold bar of Heaven; Her eyes were deeper than the depth Of waters stilled at even; She had three lilies in her hand, And the stars in her hair were seven. Her robe, ungirt from clasp to hem, No wrought flowers did adorn, But a white rose of Mary s gift, For service meetly worn; Her hair that lay along her back Was yellow like ripe corn. Herseemed she scarce had been a day One of God s choristers; The wonder was not yet quite gone From that still look of hers; Albeit, to them she left, her day Had counted as ten years. (To one, it is ten years of years. . . . Yet now, and in this place, Surely she leaned o er me — her hair Fell all about my face. . . . Nothing the autumn-fall of leaves. The whole year sets apace.) It was the rampart of God s house That she was standing on; By God built over the sheer depth The which is Space begun; So high, that looking downward thence She scarce could see the sun. It lies in Heaven, across the flood Of ether, as a bridge. Beneath, the tides of day and night With flame and darkness ridge The void, as low as where this earth Spins like a fretful midge. Around her, lovers, newly met Mid deathless love s acclaims, Spoke evermore among themselves Their heart-remembered names; And the souls mounting up to God Went by her like thin flames. And still she bowed herself and stooped Out of the circling charm; Until her bosom must have made The bar she leaned on warm, And the lilies lay as if asleep Along her bended arm. From the fixed place of Heaven she saw Time like a pulse shake fierce Through all the worlds. Her gaze still strove Within the gulf to pierce Its path; and now she spoke as when The stars sang in their spheres. The sun was gone now; the curled moon Was like a little feather Fluttering far down the gulf; and now She spoke through the still weather. Her voice was like the voice of the stars Had when they sang together. (Ah sweet! Even now, in that bird s song, Strove not her accents there, Fain to be hearkened? When those bells Possessed the mid-day air, Strove not her steps to reach my side Down all the echoing stair?) I wish that he were come to me, For he will come, she said. Have I not preyed in Heaven? -- on earth, Lord, Lord, has he not pray d? Are not two prayers a perfect strength? And shall I feel afraid? When round his head the aureole clings, And he is clothed in white, I ll take his hand and go with him To the deep wells of light; As unto a stream we will step down, And bathe there in God s sight. We two will stand beside that shrine, Occult, withheld, untrod, Whose lamps are stirred continually With prayer sent up to God; And see our old prayers, granted, melt Each like a little cloud. We two will lie i the shadow of That living mystic tree Within whose secret growth the Dove Is sometimes felt to be, While every leaf that His plumes touch Saith His Name audibly. And I myself will teach to him, I myself, lying so, The songs I sing here; which his voice Shall pause in, hushed and slow, And find some knowledge at each pause, Or some new thing to know. (Alas! We two, we two, thou say st! Yea, one wast thou with me That once of old. But shall God lift To endless unity The soul whose likeness with thy soul Was but its love for thee?) We two, she said, will seek the groves Where the lady Mary is, With her five handmaidens, whose names Are five sweet symphonies, Cecily, Gertrude, Magdalen, Margaret and Rosalys. Circlewise sit they, with bound locks And foreheads garlanded; Into the fine cloth white like flame Weaving the golden thread, To fashion the birth-robes for them Who are just born, being dead. He shall fear, haply, and be dumb Then will I lay my cheek To his, and tell about our love, Not once abashed or weak And the dear Mother will approve My pride, and let me speak. Herself shall bring us, hand in hand, To him round whom all souls Kneel, the clear-ranged unnumbered heads Bowed with their aureoles And angels meeting us shall sing To their citherns and citoles. There will I ask of Christ the Lord Thus much for him and me — Only to live as once on earth With Love, — only to be, As then awhile, for ever now Together, I and he. She gazed and listened and then said, Less sad of speech than mild, — All this is when he comes. She ceased. The light thrilled towards her, fill d With angels in strong level flight. Her eyes prayed, and she smil d. (I saw her smile.) But soon their path Was vague in distant spheres And then she cast her arms along The golden barriers, And laid her face between her hands, And wept. (I heard her tears.) (Dante Gabriel Rossetti) La damoiselle élue s appuyait Sur la barrière d or du Ciel, Ses yeux étaient plus profonds que l abîme Des eaux calmes au soir. Elle avait trois lys à la main Et sept étoiles dans les cheveux. Sa robe flottante N était point ornée de fleurs brodées, Mais d une rose blanche, présent de Marie, Pour le divin service justement portée ; Ses cheveux qui tombaient le long de ses épaules Étaient jaunes comme le blé mûr. Autour d elle des amants Nouvellement réunis, Répétaient pour toujours, entre eux, leurs nouveaux noms d extase ; Et les âmes, qui montaient à Dieu, Passaient près d elle comme de fines flammes. Alors, elle s inclina de nouveau et se pencha En dehors du charme encerclant, Jusqu à ce que son sein eut échauffé La barrière sur laquelle elle s appuyait, Et que les lys gisent comme endormis Le long de son bras courbé. Le soleil avait disparu, la lune annelée Était comme une petite plume Flottant au loin dans l espace ; et voilà Qu elle parla à travers l air calme, Sa voix était pareille à celle des étoiles Lorsqu elles chantent en chœur. Je voudrais qu il fût déjà près de moi, Car il viendra. N ai-je pas prié dans le ciel ? Sur terre, Seigneur, Seigneur, n a-t-il pas prié, Deux prières ne sont-elles pas une force parfaite? Et pourquoi m effraierais-je ? Lorsqu autour de sa tête s attachera l auréole, Et qu il aura revêtu sa robe blanche, Je le prendrai par la main et j irai avec lui Aux sources de lumière, Nous y entrerons comme dans un courant, Et nous nous y baignerons à la face de Dieu. Nous nous reposerons tous deux à l ombre De ce vivant et mystique arbre, Dans le feuillage secret duquel on sent parfois La présence de la colombe, Pendant que chaque feuille, touchée par ses plumes, Dit son nom distinctement. Tous deux nous chercherons les bosquets Où trône Dame Marie Avec ses cinq servantes, dont les noms Sont cinq douces symphonies Cécile, Blanchelys, Madeleine, Marguerite et Roselys. Il craindra peut-être, et restera muet, Alors, je poserai ma joue Contre la sienne ; et lui parlerai de notre amour, Sans confusion ni faiblesse, Et la chère Mère approuvera Mon orgueil, et me laissera parler. Elle-même nous amènera la main dans la main À Celui autour duquel toutes les âmes S agenouillent, les innombrables têtes clair rangées Inclinées, avec leurs auréoles. Et les anges venus à notre rencontre chanteront, S accompagnant de leurs guitares et de leurs citoles. Alors, je demanderai au Christ Notre Seigneur, Cette grande faveur, pour lui et moi, Seulement de vivre comme autrefois sur terre Dans l amour, et d être pour toujours, Comme alors pour un temps, Ensemble, moi et lui. Elle regarda, prêta l oreille et dit, D une voix moins triste que douce Tout ceci sera quand il viendra. Elle se tut. La lumière tressaillit de son côte, remplie D un fort vol d anges horizontal. Ses yeux prièrent, elle sourit ; Mais bientôt leur sentier Devint vague dans les sphères distantes. Alors, elle jeta ses bras le long Des barrières d or. Et posant son visage entre ses mains, Pleura. Ah, ah. (traduit par Gabriel Sarrazin) Debussy,Claude/La damoiselle élue